And underneath the columns you can have 2 more text boxes that also support HTML tags and [shortcodes]. You can also choose to have just one text area or none. Deleting all text inside the appropriate input in the Parabola Settings will remove this whole text area.
As you can see it's really all up to you. You are free to do whatever you like.
It's a multi-universe of options and you are only limited by your (and our) imagination! Have fun!
After two years of offering a wide variety of poets and musicians at The Performing Knowledge Project’s signature event, Performetry, Michael will be featured at this month’s event. Continue reading
That’s right. If you are downtown this Wednesday, April 16, at noon, stop by Sidney Harman Hall and watch me perform with the fabulous improv company Poetic License. I won’t be doing improv, but I will be performing one of my poems, after which the company rifts improvisationally on its … Continue reading
In his seminal work, The Presentation of Self in Everyday Life, sociologist Erving Goffman uses theatre and performance as analogies to describe all our social interactions. He argues, in essence, that we are actors, consciously or unconsciously performing our identities for and to others. For different audiences, we no doubt assume … Continue reading
Whether we are discussing the ranks of the large professional theatres like the Shakespeare Theatre, or the mid-sized Regionals like Woolly Mammoth or Studio Theatre, or community theatres like the Little Theatre of Alexandria or Silver Spring Stage, what is most important about theatre has always been the community it … Continue reading
Musical theatre fans of Les Misérables beware! The film you are about to see will resemble the famous musical in score only. To be sure, the text will be quite familiar and the song lyrics pretty much the same; but the epic narrative, based on Victor Hugo’s ground breaking novel of the … Continue reading
Now let me play the holiday season’s favorite character—Scrooge! That’s the bah humbug part, not the money grubbing, no time off for family and friends part, the part that asks: “Does Washington really need all of these Christmas shows? I mean—really?”. It’s bad enough that TV has begun airing its … Continue reading
Theatre critics never mention the cost of a ticket when we write our reviews, almost as if price doesn’t matter and the aesthetics of theatre operate independent of budget and cost. Maybe that’s because we critics don’t pay for tickets, so we never leave a show saying: “I just paid … Continue reading
Not that Washington has ever been a hot bed for political theatre—Hair didn’t even come to the National until 1970, two years after its Broadway premiere in 1968—but in Fall 2012 there is a decided lack of almost anything political resembling a play. Sure, Molly Ivins and an utterly sanitized Janis Joplin entertain us at … Continue reading
